Critical interpretations of The Rime of the Ancient Mariner

. . might as easy made vanish the rooms and open gallery of Raphael . . . How delicious the human race ought to be that the works of Euclid, Newton, Plato, Milton, Shakespe ar, are non subjected to similar contingencies . . . secured tied(p) from a second irruption of Goths and Vandals, in addition to many other safeguards, by the vast pudding st angiotensin-converting enzyme of English dustup (3:414)

In both the literal and exemplary sense, then, verse preserves the integrity of far more than itself by its very existence, and it is nurtured by the entire culture because it is centered in the language. In The meter of the antediluvian patriarch Mariner, Coleridge makes use of the power of poetry to reach the status of art. Whatever the ultimate "meaning" of The poesy of the antiquated Mariner, it evokes a strongly dark mood and contains a plethora of dramatic and super-natural imagery. The spell under which the Mariner move at sea becomes the basis for his eerie ability to modeling a spell on the marry Guest with his " glisten eye." As surely as the Mariner was controlled by the forces of the universe, the Wedding Guest is controlled by the Mariner and is unable to attend to a most important family obligation. Coleridge's invocation of ghosts, angel-like spirits of light, and the imagery of the snakes upon the pissing contribute to an other balll

This state of affairs is addressed with regard to the level of punishment that the Mariner receives for cleanup position the albatross. rabbit warren criticizes John Lowes for insisting there is a cosmopolitan law that is treated and violated in the poem, yet that seems someways too rough on the Mariner because of the tremendous and prolong punishment he receives. In Lowes's slew, in real world terms, the Mariner suffers too much. But Warren argues that Lowes is seeing a "literal" moral in the narrative. Meanwhile, Warren says that the moral view is symbolic of other violations of the universe. The connection, therefore, made by the reader, ought to be one of a violation of universal law, rather than a bicker about whether and to what extent the Mariner himself suffers for his horror.

The moral content of the crime rather than its historical content, is at issue.

Bostetter, Edward E. "The Nightmare World of The Ancient

Warren, Robert Penn. "A Poem of Pure Imagination, An Experiment

y, hypnotic atmosphere of sullenness and magic. Thus the Wedding Guest is hypnotized into hearing of the Mariner's experience, even as the Mariner himself had been hypnotized into his life-changing experience at sea.

Warren touches on this inasmuch as he points up Coleridge's religious/ undercover/moral background, and he uses Coleridge's criticism to illustrate that The Rime of the Ancient Mariner is an analogue to it. However, he resists directly acknowledging the import of the language and imagery that support the specifically Christian aspects of the poem that are move. Rather, he says, the poem is controlled by the reintegration of the Mariner into the mainstream of moral life, as shown by Co1eridge's notion of the One Life, or the moral angiotensin-converting enzyme of the universe. Yet there are a number of examples of the troubling aspects of the religious and moral imagery employed in The Rime of the Ancient Mariner. The Mariner's spiritual -moral sentence and his compulsion to continually fink and expia
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