In Churchill's "Cloud Nine," Clive exhibits the same view of women, as demonstrated by the dissimilarity in his interactions with his wife Betty and his lover Mrs. Saunders. In "Cloud Nine," Churchill utter that she wanted to explore the similarities between colonial and gender curbion. Thus, Betty remarks that she's non in Africa to enjoy herself. Rather, they are there to colonize the Africans, dampen the savages. For the women, therefore, this was a lonely venture. They were required to remain above revile morally (and, therefore, sexually) to serve as examples to the natives. In this way, colonization served to oppress White women in a manner that was similar, if not in degree, to the manner in which the Africans were colonized. Married women such as Betty could not be sexual, wh
Mrs. Saunders's view of her sex activity, on the other hand, is more liberating. She has made the decision to keep her sexuality independent of marriage and motherhood. And, even though she gives in to Clive's sexual demands, she does so based on her own desires rather than his. As she states, she doesn't like Clive, but she does "like the sensation" (Churchill 830).
ile widows like Mrs. Saunders were viewed by the men as purely sexual creatures.
Ophelia's sexuality is fundamentally tragic and self-destructive.
She says in " small townMachine" that she wants to "choke between my thighs the world I gave birth to. I bury it in my womb" (Muller 821). Also, Hamlet says that "Women should be sewed up - a world without mothers. We could pratfall each other in peace and quiet" (Muller 819). Men, as illustrated by Hamlet, are aware that women are ultimately almighty - without them there would be no world. Yet this power, this sexuality, probably payable to fear of women's power, is viewed as negative and harmful. As Hamlet states of his mother: "Her breasts a rosebed, her womb the snakepit" (Muller 819). Thus, Ophelia's statement, while it shows her recognition of women's sexual power, also shows her willingness to reject this most fundamental aspect of her gender. This is an inherently self-destructive act, reminding the reader of Ophelia's suicide in "Hamlet."
Toward the close of Samuel Beckett's "Endgame," Hamm laments that "It all happened without me" (Beckett 758). In a way, the entire play is about the meaning of endings, and everything that comes to begin with them. The play does not answer the question. When Hamm says "You . . . remain" as his final words, it's left to the reader to determine to
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